World-Games

<p>Contemporary readers face a literature that seems to ‘speak for’ them yet they often struggle to say just how or why. Out of the deluge of works from such writers as Barth Barthelme Beckett Borges Brooke-Rose Burroughs Butor Calvino Cortázar Federman Fuentes Le Guin Márquez McElroy Nabokov O’Brien Pynchon Robbe-Grillet Sanguineti Sarraute Sollers Sukenick Tolkien Vonnegut new words and world-models that demand understanding fill the air. Yet they seem frequently beyond reach because the framework of ideas within which this often brilliant but seemingly bewilderingly disparate flood of discourses might make sense remains largely unexpressed.</p><p>Beginning with the first concisely concerted assessment in English of the premisses and practice of Realism as viewed by those who feel that there is no choice but to move on this book (first published in 1987) confronts the vocabulary and rhetoric of current radical theory with the actual procedures of post-war fiction. In a spirit of challenging experiment it scrutinizes the themes motifs and strategies of contemporary narrative and reveals an unsuspected continuity of hitherto concealed premisses and dilemmas built into recent postmodern and poststructuralist thought. As provocative as the literature it regards it proposes that anti-Realism is no longer merely a ‘movement’ – that it has become a massive and equally conventionalized and problematical tradition living alongside Realism throughout the Western world.</p>