To All Appearances

<p>First published in 1992 <i>To All Appearances</i> is a book in which ideology and performance shadow each other in a theoretical inquiry which ranges widely across historical periods and cultures. The author’s concerns—which include the social meaning of illusion and the cultural manifestation of power—take the reader from Jacobean drama to the pageantry of Robert Wilson; from Eleanora Duse to Laurie Anderson; from the puppet theater of Kleist to Kantor’s theater of the dead; and from the Kutiyattam temple dancers in Kerala to Womanhouse in Los Angeles.</p><p>A brilliant uncontainable and chastening look at the rhetoric of critical theory in relation to performance and ideological practice this is undoubtedly a book for the twenty-first century. It returns us through all appearances to the unavoidable question in art in politics in the society of the spectacle: what after all is the future of illusion?</p>