<p><strong><em>The Persistence of History</em></strong> examines how the moving image has completely altered traditional modes of historical thought and representation. Exploring a range of film and video texts from <em>The Ten Commandments</em> to the Rodney King video from the projected work of documentarian Errol Morris to Oliver Stone's <em>JFK</em> and Spielberg's <em>Schindler's List</em> the volume questions the appropriate forms of media for making the incoherence and fragmentation of contemporary history intelligible.</p>
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