Silence Sounds Music

<p>This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli silence is commonly understood as the absence or opposite of sound. Since the eighteenth century however silence has been established as a multifarious and polyvalent cultural concept. Immersion in turn though often used as a simple all-inclusive term has old and complex ontological and epistemological roots.</p><p>Organized into three parts this book brings critical historical and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics culture and media. Covering music film digital visual and performance art theater video games and theme parks the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany Austria France and Switzerland the interdisciplinary collection includes perspectives from musicology film studies cultural and media studies gender studies art history and philosophy.</p><p><i>Silence Sounds Music</i> addresses both an academic and a wider audience. It will be of interest to anyone interested in music sound immersive experiences the so-called experience economy and contemporary art and culture.</p>