Rethinking Dance History

<p>The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of <i>Rethinking Dance History</i>. This revised second edition addresses the needs of an ever-evolving field with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book’s contributions into: </p><p>• Why Dance History? – the ideas issues and key conversations that underpin any study of the history of theatrical dance. </p><p>• Researching and Writing – discussions of the methodologies and approaches behind any successful research in this area. </p><p>Everyone involved with dance creates and carries with them a history and this volume explores the ways in which these histories might be used in performance-making – from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars philosophers choreographers dancers and students alike <i>Rethinking Dance History</i> is an essential starting point for anyone intrigued by the rich history and many directions of dance. </p>