Politics of Tragicomedy

<p><em>The Politics of Tragicomedy: Shakespeare and After</em> offers a series of sophisticated and powerful readings of tragicomedy from Shakespeare’s late plays to the drama of the Interregnum. Rejecting both the customary chronological span bounded by the years 1603-42 (which presumes dramatic activity stopped with the closing of the theatres) and the negative critical attitudes that have dogged the study of tragicomedy the essays in this collection examine a series of issues central to the possibility of a politics for the genre.</p><p>Individual essays offer important contributions to continuing debates over the role of the drama in the years preceding the Civil War the colonial contexts of <i>The Tempest</i> the political character of Jonson’s late plays and the agency of women as public and theatre actors. The introduction presents a strong challenge to previous definitions of tragicomedy in the English context and the collection as a whole is characterized by its rejection of absolutist strategies for reading tragicomedy. </p><p>This collection will prove essential reading for all with an interest in the politics of Renaissance drama; for specialists in the work of Shakespeare Fletcher and Jonson; for those interested in genre and dramatic forms; and for historians of early Stuart England.</p>