Milton Drama and Greek Texts

<p>This collection reconsiders Milton’s engagement with Greek texts with particular attention to the theological and theatrical meanings attached to Greek in the early modern period. Responding to new scholarship on early modern reactions to Greek authors – especially Euripides and Homer Milton’s particular favourites – the collection emphasizes the associations of Greek with both Protestantism and the origins of tragedy two arenas frequently in tension but crucially linked in Milton’s literary imagination. The contributions explore a range of works spanning the whole of Milton’s career from the early masque <i>Comus</i> through the political and religious prose to the 1671 closet drama <i>Samson Agonistes</i>. They consider the ways in which the authority and controversy attached to Greek authors framed Milton’s approaches to their texts. Looking at both the texts and their interpretative traditions together this book suggests that Greek authors shaped Milton’s attitudes to drama in ways even more extensive and surprising than we have yet recognized. This book was originally published as a special issue of <i>The Seventeenth Century.</i></p>