Made in France

<p>Made in France: Studies in Popular Music serves as a comprehensive introduction to the history sociology and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music and covers the major figures styles and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the <i>Trente Glorieuses</i>; Politicising Popular Music; Assimilation Appropriation French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.</p><p></p><p><b>Contributors:</b></p><p></p><p>Christian Béthune </p><p></p><p>Juliette Dalbavie </p><p></p><p>Gérôme Guibert </p><p></p><p>Fabien Hein </p><p></p><p>Olivier Julien </p><p></p><p>Marc Kaiser </p><p></p><p>Barbara Lebrun </p><p></p><p>David Looseley </p><p></p><p>Stéphanie Molinero </p><p></p><p>Anne Petiau </p><p></p><p>Cécile Prévost-Thomas </p><p></p><p>Vincent Rouzé </p><p></p><p>Catherine Rudent </p><p></p><p>Matthieu Saladin </p><p></p><p>Jedediah Sklower </p><p></p><p>Raphaël Suire </p><p></p><p>Florence Tamagne</p>