Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre
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In this important study Margaret Seares places Johannes Mattheson's Pièces de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Seares's understand
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