Italian National Cinema
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About The Book

From such films as <em>La Dolce Vita</em> and <em>Bicycle Thieves</em> to <em>Cinema Paradiso</em> and <em>Dear Diary</em> Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886-1996 Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.
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