Globalization and Popular Music in South Korea

<p>This book offers an in-depth study of the globalization of contemporary South Korean idol pop music or K-Pop visiting K-Pop and its multiple intersections with political economic and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows asymmetrical power relations and the role of the imaginary other in K-Pop production and consumption relating them to the specific aesthetic dimensions and material conditions of K-Pop stars songs and videos. Further the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics with transnational music production circuits and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide intermingle and counteract with each other and in which the tension between both of these poles is played out musically visually and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic musicological and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology anthropology and cultural studies this book will also be of interest to those studying East Asian popular culture music globalization and popular music.</p>