Chinese Film in the Twenty-First Century

This book examines Chinese film in the twenty-first century. Organized around the themes movements genres and intermedia it reflects on how Chinese cinema has changed adapted and evolved over past decades and prognosticates as to its future trajectories. It considers how established film genres in China have adapted and transformed themselves and discusses current shifts in documentary filmmaking the ethos and practices of grassroots intellectual independent filmmakers and the adaption of foreign film genres to serve the ideological and political needs of the present. It also explores how film is drawing on the socio-historical and political contexts of the past to create new cinematic discourses and the ways film is providing a voice to previously marginalised ethnic groups. In addition the book analyses the influences of past aesthetic traditions on the creative and artistic expressions of twenty-first-century films and cinema''s relation to other media forms including folktales moving image installations architecture and painting. Throughout the book assesses how Chinese films have been conceptualized examined and communicated domestically and abroad and emphasizes the importance of new directions in Chinese film thus highlighting the plurality vitality and hybridity of Chinese cinema in the twenty-first century.Chapter 10 of this book is freely available as a downloadable Open Access PDF at http: //taylorfrancis under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.