Autoethnography and the Other

<p>Challenging the critique of autoethnography as overly focused on the self, Tami Spry calls for a performative autoethnography that both unsettles the "I" and represents the Other with equal commitment. Expanding on her popular book <i>Body, Paper, Stage</i>, Spry uses a variety of examples, literary forms, and theoretical traditions to reframe this research method as transgressive, liberatory, and decolonizing for both self and Other. Her book</p><ul> <p> </p> <li>draws on her own autoethnographic work with jazz musicians, shamans, and other groups;</li> <p> </p> <li>outlines a utopian performative methodology to spur hope and transformation;</li> <p> </p> <li>provides concrete guidance on how to implement this innovative methodological approach.</li> </ul> <p>Preface<br>Introduction: Who Are “We” in Autoethnography?<br>Chapter One: The Inappropriate/d Other<br>Chapter Two: The Unsettled-I<br>Chapter Three: The Willful Embodiment of “We”: Embodying Utopian Performatives<br>Chapter Four: Utopian Reflexivities of Hope<br>Chapter Five: Performing Collaborations with Others: Group Performance of Autoethnography<br>Chapter Six: Willful Choices<br>References<br>Index</p>